Opening Sat Nov 7, 5:00-7:00
Rooted in the rich graphic traditions of Latin American printmaking, Pavel Acevedo (Mexico) and Carlos Barberena (Nicaragua) use relief carving, woodcut, and linocut techniques as powerful vehicles for social commentary. Tinta & Frontera brings together works that interrogate the physical and psychological realities of geopolitical borders, the complexities of migration, and the ongoing struggle for Latino and Hispanic civil rights in the United States.
On view Nov 7 - Jan 31
Santa Fe Residency Program
APPLICATION ONLY PROGRAM, NO FEE TO APPLY
INCLUDES CURATION INTO A RESIDENT ARTIST EXHIBITION AT OUR SANTA FE GALLERY
I'd say this is THE gallery to see in Santa Fe.
And those who have the honor of staying here for a residency will be blown away at the accomodations and atmosphere. Jen and Todd have created a serious destination gallery in a peaceful jaunt just ten minutes from downtown Santa Fe.
—Jay V
Sarah Boyts Yoder Opening Reception
Join us for the opening reception for Sarah Boyts Yoder’s solo exhibition Saturday, September 2, 4:00-6:00
Pam Sullivan Opening Reception
Join us for the opening reception for Pam Sullivan’s solo exhibition, Saturday, Sept 2, 4:00-6:00
The Bright Side, Reception
Andrea Morgan, Anne Morrison Rabe, Barbara McCulloch, Beverly Todd, Brenda York, Carol Jenkins, Catherine J. Richardson, Chris Wubbena, Erika Rier, Fab, Heather Millar, Hilary Sheehan, Jocelyn Benford, Kelly Marshall, Kerri Warner, Kerry Schroeder, L. BaLoMbiNi / red paint studio, Laurie Kwo, Laurinda Stockwell, Maidy Morhous, Marie Cameron, Sheila Metcalf Tobin, Susan Melrath, Tom Owen, Vibrata Chromodoris
Sharon Brush, Reception
I have always been drawn to objects whose history is written upon their surface: The river rock worn smooth from centuries of tumult; the bleached, chewed bone found on the desert floor; the bare-bones landscape of the American southwest. These things speak to me of timelessness and mystery and rouse a thousand questions that will never find an answer. It is all that I don’t know, that deepens my viewing experience. The influence of such objects and landscapes seep into every piece I make.